每个你每个我
安妮·施瓦茨,卡罗·柳别克,萨拉·法兹拉特,奈拉·舒伯特,萨米·施赖恩,莫里茨·克劳斯,戴维胡滕,达格马·沙切斯,Nadja Zwanziger,Sascha Mahlberg,Youness Aabbaz,Frank Stüdgens,Jule Nebel-Linnenbaum,Peter Brachschoss
野心勃勃的九王爷(白彪 饰)企图谋权篡位,落败的皇帝(艾飞 饰)命令两名侍卫将两个皇子分别抱走,以延续皇家血脉。大太子(狄龙 饰)被送到了少林寺,三个疯疯癫癫的和尚收留了他,替他取名道行,传授其武功。二太子(尔冬升 饰)则被丞相(谷峰 饰)收为义子,改名为王子泰。 转眼多年过去,某日,王子泰来到了少林寺,偶然遇见了道行,尽管他们彼此都不知道对方的身份和身世,但两兄弟还是一见如故,很快就结下了坚实的友谊。九王爷买通了寺庙内的僧人,想要将道行和王子泰斩草除根,无奈之中,两人逃出了少林,踏上了充满危险的未知之旅。
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斯坦利库布里克
山姆·佩金法
特伦斯·马利克
奥利弗斯通
李少红
拥有一切的男子都俊,妻子和小孩都在国外生活,也因此他的疑心病变得更重了。某日他一个人喝完酒徘徊时,遇到了一位谜样的女子世莲,陷入她的魅力之中的都俊也因此卷入了某起事件……
52岁的梁宽,自觉他前半生的人生经历了三个巨浪:一,当阿Ann令他由男仔变成男人的那天;二,几年后他娶了阿Ann,自此变成一个老婆奴的那天;三,阿Ann认为他没出息,带走8岁女儿,母女从此人间蒸发的那天。经历过人生的三个巨浪,梁宽化悲伤为力量,由一个我见犹怜的小男人,蜕 变成为一个人见人怕的大男人。今天,他已经是上市公司主席……身边的大红人,他学哓用无所不用其极的手段去赚钱,他拥有的财产,已足以让他一生无忧,而梁宽的最大遗憾是…阿Ann看不到他的「长进」。可是自从梁宽发达之后,他很怕照镜,没有原因地,他害怕面对镜中的自己。喜喜回归,对梁宽来说是人生另一个巨浪,他不懂怎样做一个21岁、卜卜脆,兼拥有33D上围的女儿的爸爸,毕竟在梁宽的记忆之中,喜喜只得八岁,而喜喜的回归,亦悄悄改变著梁宽,他终于能再次面对镜中的自己,因喜喜令他有勇气去再年轻,再任性一次。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.